Julia Unger

My name is Julia Unger, and my interests are centered around digital rhetorics, specifically those created by or for women. I am interested in how women have used and continue to use online platforms, but am moving more specifically into how the internet is changing women’s relationships with religion, and the place that religious women occupy online. I plan to write a dissertation on how the women in different religious groups use the internet, and the interactions that take place between sacred space and “online” space. I want to explore how the internet has shifted our perception of public vs. private.

Accident and Accessibility

I was intrigued by Brown’s analysis of the accident, particularly the idea that if we were to memorialize accidents, we would need to do so with the understanding that accidents do not exist without the technology involved, that they are therefore not accidents at all (82). As he quotes Virilio as saying, “The shipwreck is…

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Our Technology Talks, What Does it Say?

Throughout our semester, we have discussed repeatedly that modern technology and the “spaces” resulting from it–the Cloud, the feed, the stream–are poor substitutes for these things in our non-online world and experience, that it in fact is insulting to those things and their place in our lives for us to consider their digital substitutes “real.”…

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Consent and Zooming/Zoomers

Consent and Zooming/Zoomers–11/05/2023  In reading Hayles’ and Rivers’ pieces for this week, I am reminded of how different our experiences of attention are post-COVID-19, and the way that consent factors into this. When Rivers writes about, as he calls it, the “moment of capture,” he is writing before a time when all of our attention…

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Another World, Another Universe: Griots and Their Hypertexts in 80’s and 90’s Ball Culture

In Adam Bank’s book, Digital Griots: African American Rhetoric in a Multimedia Age, he uses ideas of multimodal rhetoric and rhetors as community leaders to help us understand how DJs occupy a space outlined in West African culture for the “griot,” a role Banks defines as a “master of both words and music who is…

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In-Text Index—09/11/2023

I find the way Angela Haas explains organization interesting, especially in relation to the relationships between database and narrative that Folsom and Hayles discuss. Haas clarifies her usage of subheadings, stating “Despite the use of subheading to facilitate spatially organized logics, it is important to read productive intellectual and practical overlaps across and between the…

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The Garden of Forking Pasts

I am not sure what “The Garden of Forking Paths” is trying to accomplish, but I am interested in the contrasting views it seems to provide on our future and past. The narrator offers this advice to “soldiers and bandits,” “Whosoever would undertake some atrocious enterprise should act as if it were already accomplished, should…

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Assigning ourself to other Gods

In Byung-Chul Han’s “Hypertext and Hyperculture,” he ends with the idea that “Re-theologization, re-mythologization, and re-nationalization are common reactions to the hyperculturalization of the world” (10). There is a suggestion that the hyperculturalization of the world will lead to a type of fundamentalism. Considering this was originally published in German in 2005, I feel it…

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