As promised yon, RIDE Blog Carnival #3 is an open event. Here is what we agreed to some months ago: Carnival #3 will work a bit differently in that it will invite a wider set of possibilities. Whereas Carnival #1 and Carnival #2 will be guided by a set of questions, or a theme, Carnival…
Over the last four decades, Hip Hop has expanded its influence across various demographics, employing principles akin to those found in technical and professional communication, which can be likened to user-localization of digital and communicative technologies. In “Black Noise: Rap Music and Black Culture in Contemporary America”, Tricia Rose(1994), primarily asserts the enriching an intriguing…
In reading Rivers, I cannot shake the image of the Nine of Swords; the messenger of the Tarot to say that something is uneasy, or perhaps one has been “tossed around by world” (57). I believe a throughline in Rivers’ piece is that in the act of consensual attention, we take up a certain degree…
A product of Burma’s diaspora, I’m rooted in a country only familiar to me in its immaterial, unbounded, storied form; evoking a home that is more apparition than physical site. Yet, my roots—my linkages to the non-space of Karen oral histories—are also characterized by an abiding rootlessness: we (myself/my ancestors) dwell not in static spaces…
Han’s example of a tourist in a Hawaiian shirt is not necessarily eager to experience a foreign culture, rather suggests that they have no existing cultural roots to identify another culture as a foreign one. If we just look at this class, it consists of people representing such vast cultural diversity. However, visually we all…
I’ve been thinking about how the deeply sited nature of diaspora translates into digital spaces that collapse time, space, and embodiment—elements whose intersection manifest as “site,” a concept Han suggests is the antithesis of hyperculture. But I’ve also been thinking about who might guide us through “de-distanced” landscapes, enacting Walter Mignolo’s decolonial concept of “pluriversality,”…
Han (2022) states that “Today, there are probably very few things to which we would grant… and honorable farewell.” While reading, I have found myself morose and discouraged reading Han’s text on the non-thing, and looking for ways that I resist or fail to fit into his dismal picture of a digitized and data-fied world….
I have spent a considerable amount of time thinking about AI and its implications for DEI. After reading Bender et al. (2021), I have come to the conclusion that my attitude towards LMs and digital rhetorics is a fairly accurate one. The digital landscape, not unlike the “real” world, is one where access is broadly…
I’m drawn to Jennifer Clary-Lemon’s new materials environmental rhetoric for many reasons, one of which involves her call for us to “listen better” to the troubled/troubling ways we dwell amidst—and are implicated within—environmental change and destruction. I think of “listening better” as a valuable extension of “deep listening,” as both approaches to sensed/sensing dwelling provoke…
In “Rethinking Repair,” Steven J.Jackson(2014) says: “what happens when we take erosion, breakdown, and decay, rather than novelty, growth, and progress, as our starting points in thinking through the use of nature?” (p. 221). Our curatorial approach departs from the assumption of a world in flux, defined by uncertainty, fragmentation, and impermanence. Rather than see…
DJs are models of rhetorical excellence, canon makers, time binders who link past, present, and future in the groove and mix; and intellectuals continuously interpreting the history and current realities of their communities in real time. Banks uses the DJ’s practices of the mix, remix, and mixtape as tropes for reimagining writing instruction and the…
