Accident and Accessibility

I was intrigued by Brown’s analysis of the accident, particularly the idea that if we were to memorialize accidents, we would need to do so with the understanding that accidents do not exist without the technology involved, that they are therefore not accidents at all (82). As he quotes Virilio as saying, “The shipwreck is…

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Exploration of Sakofanarration in Redefining Digital Rhetoric

. Sankofa symbol It’s critical to note that the field of digital rhetorics is dynamic, and discussions and viewpoints about redefining the field must continue to evolve based on ongoing research and how the field can explore innovative pedagogical approaches that can utilize digital and surfing technologies to enhance teaching writing and composition. Not only…

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Rhythms Made to Rupture and Bodies Made to Break/Dance: What Happens When a DJ and a Douen Walk Into a (Crowded) Void?

The DJ as digital griot re/de/sutures fragments of cultures whose totality has been elided by—and eludes—Western ontologies, perpetually connecting black rhetorical traditions with the technologies and possibilities of multimedia writing.  Digital griots’ use of “arranging, layering, sampling, and remixing are inventions . . . binding time as they move the crowd and create and maintain…

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On the Metaphorization of Land and Conscious Digital Composing

While reading Arola’s essay and her preoccupation with digital design and cultural materiality, I recalled Liboiron’s Pollution is Colonialism and how she also uses the metaphor of “Land” to agitate for cultural sensitivity. The two scholars tend to metaphorize “Land” as a cultural symbol of both the material and immaterial, including humans whose identities are…

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Crowded Zoo, Empty World

One of the most manipulative aspects of the like vs. dislike framework is how much it limits our encounters with ourselves and others. Odell writes about how algorithms “incrementally entomb” us until we become a static, deeply monolithic sum of our likes—an ‘us’ that fosters self-understanding through tidy, world-shrinking formulas shrouded as play (137). Meanwhile,…

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