he critical to post-human approach is based on the concept that memory is not additive, rather narrative: memories shape a changing story, while digital mediums operate only by storing data. Accumulation and addition, characteristic of digital data, displace the narrative essence of memory. Only narratives can imbue meaning and endure. The digital realm, governed by…
In a scene from The Deerhunter (1978), a disillusioned “Nick,” played by Christopher Walken, steps onto the veranda of the hospital where he was convalescing alongside other Vietnam War soldiers. He absorbs a scene of uniformity-in-death: countless metal coffins are being stacked so that the bodies of the dead could be returned home. Nick then…
My brother and I are home for our grandma’s 90th. We sit on the floor, tailbones aching, paging through dusty stacks of family albums. We trace faces through the protective gloss of picture sleeves. We smile. We laugh. But we also complain: why is it so hard to eliminate the material glare of each photo…
One of my warmest memories is a pattern: me in the passenger’s seat of my grandpa’s (Bobo’s) dusty, wood-paneled station wagon, Bobo behind the wheel, sun glinting off his square framed glasses, telling me a story (probably something comedically jarring, like that time he complimented a villager’s cat in rural Burma, mistakenly using a word…
The other day I was watching video essays on YouTube as I far too often do and I came across a video on the channel Wisecrack called “Algorithms and the Death of Hollywood.” Within the video, Michael Burns notes a malady that has emerged within the entertainment industry and digital media. He argues, particularly of…
This entry ponders the significance of database as an act of theory-making in two phases: database as fate and database as canon-making. The intention of this work is to extend the consideration of formation of knowledge in digital spaces as an active process influenced by the metaphysical, an interwoven academic lifemaking that penetrates into the…
Prior to my experiences in the US over the past year, I had never given much thought to my positionality within the Black identity space. I was an avid movie watcher growing up, and I’ve always felt a connection to or alliance with the Black characters in the western films and books I’ve watched and…
The DJ as digital griot re/de/sutures fragments of cultures whose totality has been elided by—and eludes—Western ontologies, perpetually connecting black rhetorical traditions with the technologies and possibilities of multimedia writing. Digital griots’ use of “arranging, layering, sampling, and remixing are inventions . . . binding time as they move the crowd and create and maintain…
I’ve been thinking about how the deeply sited nature of diaspora translates into digital spaces that collapse time, space, and embodiment—elements whose intersection manifest as “site,” a concept Han suggests is the antithesis of hyperculture. But I’ve also been thinking about who might guide us through “de-distanced” landscapes, enacting Walter Mignolo’s decolonial concept of “pluriversality,”…
The rapid growth of information and communication technology can certainly bring challenges to archives and any theory/practice that is related to it. Internet-based services are capable of replicating all the functions of the archival institutions, as studied by Ivan Szekely. Most of the documents are available online in today’s world which makes them more user-friendly…