DJs as Technical Communicators: The Rhetorical Synchronicity of Hip Hop Culture 

Over the last four decades, Hip Hop has expanded its influence across various demographics, employing principles akin to those found in technical and professional communication, which can be likened to user-localization of digital and communicative technologies. In “Black Noise: Rap Music and Black Culture in Contemporary America”, Tricia Rose(1994),  primarily asserts the enriching an intriguing…

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Kaleidoscopic Databaseology: Making Meaning of Knowledge Haunted and Corporeal

This entry ponders the significance of database as an act of theory-making in two phases: database as fate and database as canon-making. The intention of this work is to extend the consideration of formation of knowledge in digital spaces as an active process influenced by the metaphysical, an interwoven academic lifemaking that penetrates into the…

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The Truman Show Embedded in our Reality of Smart Homes: Will We Be Held Captive Like Truman Burbanks?

The concept of smart homes as modern panopticons and surveillance mechanisms is a thought-provoking perspective that raises concerns about the privacy and security implications of connected technologies within our living spaces. Han(2022) says that Google presents the interconnected smart home of the future as an “electric orchestra” with the resident as a “conductor” (5). I…

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The Rise of Technofeminism as a part of resistance in Digital Space and Culture

– In Computer and Composition, technofeminism has emerged to critique the historical domination of male figures in the domain of digital spaces, technology and culture, which were inherently biased against women. The hegemonic designs and definitions of technology often limit women as eternal outsiders in that very realm and perpetuate harmful stereotypes as technologically challenged/inferior…

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Rhythms Made to Rupture and Bodies Made to Break/Dance: What Happens When a DJ and a Douen Walk Into a (Crowded) Void?

The DJ as digital griot re/de/sutures fragments of cultures whose totality has been elided by—and eludes—Western ontologies, perpetually connecting black rhetorical traditions with the technologies and possibilities of multimedia writing.  Digital griots’ use of “arranging, layering, sampling, and remixing are inventions . . . binding time as they move the crowd and create and maintain…

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Collapsing to Compose, Composing to Collapse: Are Digital Griots Agents of Pluriversality?

I’ve been thinking about how the deeply sited nature of diaspora translates into digital spaces that collapse time, space, and embodiment—elements whose intersection manifest as “site,” a concept Han suggests is the antithesis of hyperculture. But I’ve also been thinking about who might guide us through “de-distanced” landscapes, enacting Walter Mignolo’s decolonial concept of “pluriversality,”…

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Racial Profiling Through Tech: How Tech Becomes the New Face of White Supremacy

Face surveillance is the probably most dangerous of the many new technologies that are available to police. It goes without saying how terrifying it can be towards communities of color, especially Black Community. Algorithms can be racist. Apple’s Iphone is a prime example of that. Some facial recognition algorithms misclassified the facial features of at…

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Abstract art of convoluted elements that represent multiple realities.

Get Used to It: We are All Characters in a Hyperspace of Possibilities

To begin with, reading Borges (2018) was quite nostalgic; it brought back memories of literary criticism, the necessity of thematic coding, and events that come to life in your mind. Now, I nearly feel confident in predicting that whoever wrote the script for The Flash (2023) got some inspiration from this short story and its…

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